A lively documentary whose comfortable topic matter is countered by a novel spin and its maker’s privileged vantage point, “Teenage Paparazzo” questions the globe of celebrity obsession with out getting judgmental or facile.
Provided the meta-showbiz possibilities raised by its director’s involvement with HBO’s “Entourage,” the film can be a organic for that doc-friendly cable network.
Adrian Grenier delivers some pleasant first-person observations on fame’s weirdness prior to recalling his meeting using the film’s topic: 13-year-old Austin Visschedyk, a precocious mop-headed L.A. child generating an adult-sized earnings promoting star pix. Realizing an excellent get when he sees 1, Grenier invites himself into Austin’s living, realizing that insight to the bigger “pap” business might be a portion of the offer.
The movie glimpses the hectic regime of your celeb-shooter, total of cellphone guidelines and jostling about rear entrances of nightclubs; we watch because the purple-hoodie-wearing children shouts “chase that car” in hopes of getting the 1st to view, say, Paris Hilton ordering an In-N-Out burger.
Grenier wonders why persons give a damn about seeing that banal picture but is restrained in some elements in the inquiry — Hilton provides him a lot of interview time as well as participates in the stunt with him, as an example, so it wouldn’t be extremely gracious to explicitly issue her cultural really worth. He talks to stars, tabloid editors and in many cases the odd academic for viewpoint about star worship and also the shutterbug market it needs; the insights he gleans aren’t earth-shattering, but they’re nicely presented for mainstream viewers who haven’t invested significantly time in media studies courses.
Immediately following entertaining diversions like an outing where Grenier straps about a camera and will become section of the paparazzi himself, we know that Austin’s unusual story may be found through the media — furthering the movie’s engaging hall-of-mirrors nature and inviting the filmmaker to get worried more than the aspect he’s playing inside feasible corruption of an young soul. Ending on the hopeful note, Grenier suggests that somewhat self-awareness goes a extended way on each sides in the camera.
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